Category Archives: Museums

Lightning Strikes Art!

Alert!  Alert!  Lightning has struck in the world of art and science!

Lightning on the Cheyenne Ridge
Roger Edwards, Photograph
www.stormeyes.org

The question:  Does art enhance science and math…and vice versa?

The answer:  Yes!   There are correlations between a Rembrandt portrait and a mathematical model…between Vincent van Gogh’s Starry Night and a gamma-ray telescope.

Art enhances our understanding of science, particularly the science of weather.  We respond in new ways to Earth’s atmosphere and climate through the window of art.

Proof of this was shouted from the roof-tops, or rather from a towering glass atrium, as a cyclone of artworks from around the globe converged upon a mega art exhibition…the first National Weather Center Biennale in Norman, Oklahoma!

Flooded Car Lot
Tom Berenz, Oil on panel
www.tomberenz.com

The NWC Biennale was the brain child of three very accomplished whirlwinds in the professional art world and one top-notch scientist.

Alan Atkinson, Ph.D., Curator, The National Weather Center Biennale
Ghislain d’Humieres, Director, Fred Jones Jr. Museum of Art
Erinn Gavaghan, Executive Director, Norman Arts Council
Dr. Berrien Moore III, Director, National Weather Center

Trouble Cometh
Kirby Kendrick, Acrylic on canvas
www.kirbykendrick.com

The challenge to artists was to create a work expressing the dynamic image of weather and its impact on the human experience.

The challenge was met!

Watch America’s most famous cyclone!
Click here if unable to view the video.

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3 Famous Outsider Artists

Outsider Art:
Naive…visionary…never been in an art school or gallery…disturbing images…
DELIGHTFUL!
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Wash Day, 1950
Cementine Hunter
Oil on pasteboard.

First impression of Clementine Hunter’s paintings: charming, quaint, life on the plantation.
But, look deeper into these child-like paintings of picking cotton, picking pecans, washing clothes, baptisms and funerals.

Even though she was born in 1886, twenty years after the Civil War, segregation and oppression of the blacks was still rampant. These paintings are gentle images of this oppression.

What a story! Clementine spent much of her life working on a plantation in Louisiana and only attended school for ten days, never learning to read or write. While she was working as a house servant, an artist visiting the plantation left some discarded brushes and tubes of paint. She became intrigued and used the brushes to “mark a picture, or a window shade.” Clementine Hunter’s career as an artist began.

Often referred to as the black Grandma Moses, Northwestern State University of Louisiana granted her an honorary Doctor of Fine Arts degree when she was 100 years old.

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Untitled
Henry Darger

Henry Darger’s story is heartbreaking but he left the world a treasure trove of art.

Tragedy found Henry Darger early and often. When he was 4 yrs old, his mother died. Unable to care for him, Darger’s father placed him in an orphanage. Labeled a troublemaker, the young Darger was moved from institution to institution. At 16, Darger ran away and for the next 64 years he lived alone in a rented room and worked as a janitor in Chicago.

Darger died at 81. His landlords cleaned out his room and made a startling discovery: alone in his room, Darger had created hundreds of beautiful, large paintings illustrating an epic fairytale (15,000 pages) he had written over 60 years.

A brilliant artist, hidden from the world in the guise of a lonely janitor, Henry Darger has become internationally known and is represented in major museums throughout the world.

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Jesus is my Airplane, 1970
Sister Gertrude Morgan

Jesus Christ The Lamb of God and His Little Bride, 1960
Sister Gertrude Morgan
Crayon and ballpoint pen on paper.

Sister Gertrude Morgan (1900–1980) was a poet, a preacher, an artist, and a singer who loved Jesus. She called Jesus her husband, her doctor, and her airplane (yes, airplane), and claimed to have met with him in visions throughout her mid and later life.

Born on a farm in Alabama, in 1900, Sister Gertrude left school after third grade so that she could help her family with the farm work.

Preaching the gospel tirelessly in the streets of New Orleans, Sister Gertrude founded an orphanage and ministered to the sick and inmates of Orleans Parish Prison for years.

Later in life, she said she had had a revelation that she was to be the “little bride of Christ.” This calling she took with great seriousness, dressing solely in white garments for the rest of her life.

After this revelation, Sister Gertrude’s paintings were little figures of herself in a white bridal gown standing beside a pudgy little Jesus wearing a tuxedo. Other images pictured her and Jesus in an airplane flying around heaven. She was adamant that her paintings were divinely inspired and indeed, perhaps they were.

Sister Gertrude died in 1980, at eighty years of age. Her paintings have been exhibited and celebrated in prestigious museums such as the American Folk Art Museum and the Philadelphia Museum of Art.

“Jesus is My Airplane,” sold to a private collector for $20,700.

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Watch Sister Gertrude Morgan in New Orleans.
Click here if unable to view the video.

Fantastical video of Henry Darger’s images and fairytale.
Click here if unable to view the video.

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Girl with a Pearl Earring

Girl with a Pearl Earring, c. 1665
Johannes Vermeer

Did we just call out her name?  Is she turning to us to whisper a secret?  We lose ourselves in her gaze, and all of a sudden we feel a quickening of the heart…a charge of energy.

We are in the presence of a masterpiece.
Girl with a Pearl Earring.

Considered one of the most talented painters in the Dutch Golden Age, Vermeer was a genius in enhancing the sense of vibrancy and mystery through his paints.

How did he achieve the intimacy of this smile?
Look closely at the young girl’s mouth.  Two small white dots on either side of her mouth, echoes the highlights in her eyes and the light on her pearl earring.
Voila!  The young girl’s half smile is enlivened!

How did Vermeer achieve the delicious colors of the turban, the cloak?
The rich blue of her turban: The artist procured the blue rock, lapis lazuli, from Afghanistan traders. He then hand-ground the hard rock to powder making that incredible ultramarine blue.
And her vibrant cloak:  Yellow flowers gathered and boiled making that special golden earthy color.

But knowing the “how” dims not at all our reverence for the painting.  Returning to that face with the liquid eyes and sensual smile, we once again bask in the delight of being in the presence of a true and timeless MASTERPIECE.

Girl with a Pearl Earring:  Dutch Paintings From the Mauritshuis can be seen in a rare traveling exhibit at:

de Young Museum, San Francisco:
January 26 – June 2, 2013

High Museum of Art, Atlanta:
June 22 – September 29, 2013

The Frick Collection, New York:
October 22, 2013 – January 21, 2014

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BEHOLD, America!

American art is evolving!
American art is pushing all the boundaries!

It is almost inconceivable how much the work of American artists has changed in the past 250 years. This mind-boggling evolution is brilliantly presented by three renowned San Diego museums…The Museum of Contemporary Art San Diego, The San Diego Museum of Art and the Timken Museum of Art. These classy museums have pooled their art treasures for a knockout show.

BEHOLD, America!

America’s art is presented with the three themes of Figures, Frontiers and Forms; dating from before the revolution in 1771 to the latest contemporary pieces.

See for yourself the evolution!

Figures

Mrs. Thomas Gage, 1771
John Singleton Copley

The Hobo, 1999
John Currin

Frontiers

Yellowstone Park, 1909
Thomas Moran

Homestead with Jade Sky, 2011
Deanna Thompson

Forms

The Magnolia Blossom, 1888
Martin Johnson Heade

The White Flower, 1932
Georgia O'Keeffe

Yes! American art has definitely evolved.

Watch this video for a fascinating glimpse of BEHOLD, America!
Click here if unable to view the video.


Video credit: VideoliciouslybyRuth

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Posted in Abstract Expressionist, Artists, Classical, Contemporary, Film, Museums | Tagged , , , , , , , , , , , , , | Leave a Comment | 11 Comments

Haystacks…thrilling!

Why do we get that tingling sensation, that sudden wave of emotion, that thrill when we see the haystack paintings of Bruegel, Van Gogh and Monet?

Who would have thought haystacks would be so enthralling? Do they speak to our yearning for a simpler way of life?

We know from brain research that the color yellow arouses feelings of happiness. Yellow is the color of these haystacks.

Some of the greatest artists of our time have devoted themselves to painting these simple images.

The Harvesters, 1565
Pieter Bruegel the Elder (1925-1569)

The Flemish Renaissance artist, Pieter Bruegel the Elder, would put on disguises so he could participate in the life of the peasants…capturing their field labor and rollicking celebrations in his paintings.

The Harvesters portrays the arduous work of gathering the hay and the peasants’ joy of the well-earned picnic. Bruegel’s use of the golden yellow color of the hay fields is delightful to our senses.

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The Siesta, 1889
Vincent van Gogh (1853-1890)

Hay gatherers are snoozing in Vincent Van Gogh’s famous painting, The Siesta. We sense the slow pace, the pleasure of a nap. Van Gogh uses his signature palette of intense yellows and blues to evoke emotion.

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Haystack at Sunset, 1890
Claude Monet (1840-1926)

Claude Monet, the Father of Impressionism, was so charmed in 1890 with haystacks he painted 25 canvases of them! These haystacks are astonishing with the differences in light at various times of day, seasons, and types of weather. They are some of the most beloved works of art in the world.

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This Bruegel video is almost as good as seeing his masterpieces in museums!
Click here if unable to view the video.


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For thrilling color, watch this brief van Gogh video.
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Watch this for Monet and all his glory.
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Faces Change…Portraits Change

"The Duke and Duchess of Urbino" 1465
Piero della Francesca (1415-1492)

You live in 15th century in Florence.
You are wealthy and powerful.
You want your portrait painted so your memory will not fade.

Piero della Francesca, arguably the finest painter of the Renaissance, painted a double image of the Duke and Duchess of Urbino facing each other.

The Duke’s face is ruddy and he is robust.  He must be painted in profile, as he is missing his right eye and has badly damaged his nose (as you can see!) in a jousting accident.  Dressed in a red tunic, he is immediately identified as part of the elite. Only the learned and distinguished may wear the color red, a badge of honor.

Portraits in the Renaissance need not capture the “essence” or personality of their subjects. But it was imperative that the subject’s affluence and honor were celebrated.

The Duchess’ skin is pallid and lifeless.  Art historians believe that she died before the portrait could be done and Piero painted her death mask.

Husband and wife are locked in an eternal conversation and indeed their memory has not faded.

Delve a little deeper into the Duke and Duchess’ painting!
Click here if you are unable to see the video.

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"Willie Nelson" 2001
Annie Leibovitz (b. 1933)

He is an incredibly talented Country Western musician from Texas.
He will be 80 years old next year, 2013.
He has been rich, broke, and rich again.

Willie Nelson is an American icon who began his musical career at age eleven. He has won 10 Grammy awards for his outstanding achievements in composing and performing music.

Nelson’s portrait was photographed by Annie Leibovitz, award-winning American photographer.

Leibovitz is well aware that the 15th century Renaissance ideal of portraiture focusing on wealth and position is not relevant to the 21st century.

She attempts instead to show her subject’s “essence”…a piece of his or her personality in her photographs.

Hence, the unfiltered road map of creases in Willie Nelson’s face.  Leibovitz’s photograph clearly and unabashedly captures a lifetime of hard living on the road and drug use.

Willie Nelson is still “On the Road Again.” 
Click here if you are unable to see the video.

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"Bill Clinton" 2007
Chuck Close (b. 1940)

American presidents are the most powerful people in the world.
American presidents are both honored and reviled.
American presidents have their portraits painted for posterity.

It is startling to see the ebullient portrait of Bill Clinton hanging next to the dark and solemn portraits of Abraham Lincoln and George Washington in the Smithsonian Museum, Washington, DC.

American artist Chuck Close captured Clinton’s charisma and presence perfectly with his unique combination of photo-realism and abstraction.

In 1988, at the pinnacle of his painting career, Chuck Close suffered a collapse of his spinal artery which left him almost completely paralyzed.  Although confined to a wheelchair, he has regained partial use of his limbs. The paint brush is strapped to his wrist.

In the years since, Close’s position atop the American art world hasn’t changed. His work is met with rave reviews.

In 2005, Chuck Close photographed Clinton and created a grid on canvas to match the photo. He then painted the image with thousands of bright colored modules.

Standing very near the portrait all you see are gorgeous squares of color.  But standing back…

Voilà! President William Jefferson Clinton!

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